Mostly large format oil on canvas works. Many of these visual spaces are inhabited by groups, or individuals in a dialogue which originates outside of the frame, in a cinematic sense, where the still image refers to a larger narrative, happening around, before and after the image itself, creating perhaps a mystical sense of separation and disconnect.
Recent recurrent themes: places of childhood, revised and revisited, with elements of Eastern faith: where a sort of spiritual “cleaning” is set in the context of water related environments. Then there is the absolute opposite space: the dessert, the apparently barren, where the sense of being in that space seems to question the sustenance and purpose of the inhabitants of that place.